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By Gamini Jayasinghe
The Esala Perahera in the hill capital was originated in 1775 A.D. under the reign of King Keerthi Sri Rajasinghe and was confined to the processions of four Devalayas- Natha, Vishnu, Kataragama and Pattini.
At the instigation of Weliwita Sri Saranankara Sanghraja Thera Siamese priests were brought to Sri Lanka for the restoration of Upasampada - Higher Ordination and these priests led by Ven Upali Thera advised the King that there should be a procession of the Sacred Tooth Relic to head the processions of the four Devalayas.
The king issued orders to conduct the hill capital Perahera in that manner. Since then the procession of the Sacred Tooth Relic is followed by the Devala Peraheras. Natha Devalaya is given preference as it is believed that deity Natha is Buddha-to-come - Maithri Deva Raja.
The Maha Vishnu Devalaya Perahera comes next. It is believed that god Sri Vishnu has been entrusted with the custody of Buddhism in Sri Lanka. The Vishnu Devalaya is accompanied by the Basnayaka Nilames of the Lankatillake, Gadaladeniya, Alawathugoda, Hanguranketha, Morape, and Medirigiriya Devalayas.
This perahera is followed by the Kataragama Devalaya in Kandy. God Kataragama is supposed to be the all powerful General of Sakra. In this perahera the Basnayake Nilame of the Ganegoda Devalaya accompanies the Basnayake Nilame of the Kataragama Devalaya.
Last of all comes the perahera of the Pattini Devalaya headed by the Basnayake Nilame accompanied by the Basnayake Nilame of the Embekke Devalaya. Goddess Pattini, is supposed to exercise control over diseases such as Small pox, Chicken pox and Measles and inclusion of her devalaya in the Kandy Esala Perahera is to placate her and to invite her blessings.
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The procession embodies all the traditional forms of music and dancing. The pageant is splendid and attractive especially because it is conduced at night in the glare of lamps both electric and oil with the participation of about one hundred elephants and various kinds of dancers and drummers. Religious rites and traditions are followed to the letter in the conduct of the Esala Perahera in the hill capital.
At the auspicious moment recommended by the astrologer of Sri Dalada Maligawa known as “Nekath Rala” the kap erection ceremony is performed by the Natha, Vishnu, Kataragama and Pattini Devalayas. This is the first ceremony performed in connection with the Esala Perahera in which the Sri Dalada Maligawa does not participate. Kap situweema is to get a pillar or a post erected as a vow to the gods with a view to performing the proper ceremony on a convenient date. To make the Kap or the pole the stem of an Esala tree (Cassis fistula) is used. Ruk Attana (Aistomia scholaris Apoiyn) or the Jak tree (Artocarpus Integrifolia Urti) is cut and “Kap” is planted in each Devalaya. Before cutting the tree frank incense is offered together with a liquid made of Sandalwood dust.
Under the selected tree nine oil lamps with nine wicks are lit. On a tray on which a white cloth is spread nine leaves of Betel and nine kinds of flowers are offered. This is to supplicate tutelary deities to leave the tree if the particular tree is haunted or inhabited by any such sylvan deity. After these offerings the tree is felled by the Maha Devalaya “Porokaraya”, (wood cutter) who should devote for the purpose for a number of days by confining himself to vegetable food. The tree is cut into parts. The lowest part of the stem is set apart for the Natha Devalaya, second part for the Vishnu Devalaya, the third part for the Kataragama Devalaya and the end part is for the Pattini Devalaya. These logs are taken to respective devalayas in processions. The length of the Kap is one cubit or eighteen inches and one end of the pole is smothered to the shape of a small spire and a white cloth is wrapped around it. At the auspicious time the Kap is erected in a cubicle called the “Kap Ge”. Three coconuts are placed around the Kap. A coconut oil lamp is kept burning by the side of the Kap.
It is believed that the deity haunting the Devalaya protects the Kap from the day of its erection. Hence the “Ran Ayudhaya” – the golden weapon of the god is traversed around the five days after the erection. This is called the “Ethul Perahera” the inner procession which is conducted by the “Sathara Devalaya” without the participation of the Temple of the Tooth Relic.

On the sixth night the actual Perahera known as the”Kumbal Perahera” is started. According to legends and hearsay the Esala Tree or the Kap was originally placed on an ant hill “Humbaha”. Today it is placed in a clay structure resembling the “Humbaha” of the Sri Dalada Maligawa Perahera joins the Sathara Devalaya Perahera on this day. This procession parades streets with the Kandyan chiefs including the “Diyawadana Nilame” of the Sri Dalada Maligawa and Basnayake Nilames of the Sathara Devalayas dressed in their traditional white Kandyan court dress and elephants, the number of which is increased day by day. Flag bearers walk in a single file. They carry flags of different provinces and temples. They are followed by “Peramune Rala,” who rides on the first elephant of the Perahera. He is followed by drummers who play Daula, Tammetttama and Horanewa, which produce the drum roar called “Hewisi”. This provides dramatic outlook to the perahera. The Gajanayake Nilamme comes next. He rides an elephant with a silver goad in his hand. Traditionally he is in charge of the royal kraal. Next to ride on a tusker is “Kariya Korala”. He is only second to the Diyawadana Nilame in order of precedence and is responsible for all ceremonies of the Temple of the Tooth Relic.
The most important officer of the perahera ceremony is the Diyawadana Nilame who walks in the Perahera throughout the period. He is the lay incumbent and figures prominently in the Esala Perahera. He is dressed with extra ordinary elegance in the full Kandyan uniform. The highlight of the Perahera is the Sri Dalada Maligawa tusker carrying the golden casket containing the Sacred Relics. A canopy is held over the casket. Every day of the Perahera the tusker is taken to Sri Dalada Maligawa Maha Wahalkada. The Diyawadana Nilame places the casket reverently in the “Ransivige” (howdah) on the back of the tusker.
| " After five nights of Kumbal Perahera the Randoli Perahera begins and continues for another five nights. Randoli literally means queens’ palanquins. Palanquins are symbols of consorts, the deities or queens of the reigning kings. In ancient Sri Lanka palanquins were used to carry important persons. Priests’ palanquins were known as “Koonamas”. " |
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